Here's a link that might be interesting to some board members, particularly those who speculate about tuba vs. cimbasso in Verdi operas. In the following excerpt, I think a cimbasso would have been a better choice than a tuba. The tuba playing sounds very competent, but is not as good a blend with the trombones as a cimbasso. Maybe Verdi was right when he expressed displeasure with tubas in the orchestral setting?
Ace
Cimbasso?
- bloke
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Re: Cimbasso?
Many of the tubas made during Verdi's lifetime were fairly wretched, and ophicleides (aka "cimbassos") offered much wider (intonation) "slots" (for sensitive/accomplished players of them) as well as there being more people around who were accustomed to playing them (vs. various types of valved "tubas"). Finally, ophicleides (simply via "how they work") make less racket in general - which many (Verdi ?) may well rate (even today) as "good".
Today, with so many tubas used in orchestras - now - being "concert sousaphones", I view them as inappropriate for most Verdi literature for reasons other than (as with many 1840's-1890's-made tubas) simply being often being "wretched".
Contrabass valve trombones - when seen at all in early photographs - mostly are seen around the time of Verdi's death and later, but (as you point out) are - being a trombone - a good blend with a trombone section (as long as the tuba player - playing the contrabass trombone - doesn't make an ass of themselves).
' great singing, and a handsome stage presence.
Today, with so many tubas used in orchestras - now - being "concert sousaphones", I view them as inappropriate for most Verdi literature for reasons other than (as with many 1840's-1890's-made tubas) simply being often being "wretched".
Contrabass valve trombones - when seen at all in early photographs - mostly are seen around the time of Verdi's death and later, but (as you point out) are - being a trombone - a good blend with a trombone section (as long as the tuba player - playing the contrabass trombone - doesn't make an ass of themselves).
' great singing, and a handsome stage presence.
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Re: Cimbasso?
I like the way she stared down the audience for the first two minutes or so,
I've earned that look nearly every day of my life it seems...
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Mack Brass Artiste
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1964 Conn 36k with CB Arnold Jacobs
Accent (By B&S) 952R with Bach12
The Fourth Estate is the Fifth Column
Re: Cimbasso?
Okay, he was disappointed with one schmuck on a serpent, or ophicleides. I'm simply in awe that he was able to get 10 viola players, in the same place, at the same time.
bloke wrote: ↑Sun Jan 16, 2022 4:07 pm Many of the tubas made during Verdi's lifetime were fairly wretched, and ophicleides (aka "cimbassos") offered much wider (intonation) "slots" (for sensitive/accomplished players of them) as well as there being more people around who were accustomed to playing them (vs. various types of valved "tubas").
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- bloke
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Re: Cimbasso?
At least you earned it. That's far better than getting something for nothing.Three Valves wrote: ↑Mon Jan 17, 2022 9:18 amI like the way she stared down the audience for the first two minutes or so,
I've earned that look nearly every day of my life it seems...
Best, Ace
- These users thanked the author Ace for the post (total 2):
- bloke (Tue Jan 18, 2022 12:48 pm) • Three Valves (Tue Jan 18, 2022 1:41 pm)