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Going to Chicago
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This section is for posts that are directly related to performance, performers, or equipment. Social issues are allowed, as long as they are directly related to those categories. If you see a post that you cannot respond to with respect and courtesy, we ask that you do not respond at all.
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ronr
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Going to Chicago
Look what I’m doing the next couple weeks…
- These users thanked the author ronr for the post (total 2):
- Three Valves (Wed Mar 30, 2022 7:21 am) • bloke (Wed Mar 30, 2022 3:21 pm)
2013 J Packer 379 Bbb
1905 York Helicon
1960 Reynolds Contempora Sousaphone
2022 Wessex fiberglass sousaphone
1905 York Helicon
1960 Reynolds Contempora Sousaphone
2022 Wessex fiberglass sousaphone
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bort2.0
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Re: Going to Chicago
Cool! When/where is the show?
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Tim Jackson
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Re: Going to Chicago
I just loved doing that show! Some nice exposed parts allowed a chance to show through a little. I did the split upright bass/tuba book and negotiated a nice doubling fee. Enjoy
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bloke
- Mid South Music
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Re: Going to Chicago
…so AFTER for the last tour finally came to an end, they decided to put the book in Finale…?!?!
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So far, I’ve done three different runs with that show (back when it was touring - or is it touring yet again?) …
first time:
I worked on disciplining myself to not watch what was going on on stage, so I would not miss entrances.
second time:
Even though it’s all “Tin Pan Alley”, there are actually quite a few sub-styles within that genre, and I concentrated on different types of attacks, note lengths, and decays - which are appropriate with the individual numbers.
third time:
I decided that I was not going to make a single sound on my instrument whereby I heard the drummer playing even a millisecond before me.
The book is easy, but it’s also fun, and - as demonstrated above - there are things offered within it that we can utilize to improve ourselves.
—————————-
So far, I’ve done three different runs with that show (back when it was touring - or is it touring yet again?) …
first time:
I worked on disciplining myself to not watch what was going on on stage, so I would not miss entrances.
second time:
Even though it’s all “Tin Pan Alley”, there are actually quite a few sub-styles within that genre, and I concentrated on different types of attacks, note lengths, and decays - which are appropriate with the individual numbers.
third time:
I decided that I was not going to make a single sound on my instrument whereby I heard the drummer playing even a millisecond before me.
The book is easy, but it’s also fun, and - as demonstrated above - there are things offered within it that we can utilize to improve ourselves.
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ronr
- Posts: 212
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Re: Going to Chicago
Stillwater High School. Opens on Friday runs for two weeks.
2013 J Packer 379 Bbb
1905 York Helicon
1960 Reynolds Contempora Sousaphone
2022 Wessex fiberglass sousaphone
1905 York Helicon
1960 Reynolds Contempora Sousaphone
2022 Wessex fiberglass sousaphone
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ronr
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- Location: North of Bort2.0, south of MN_Tim
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Re: Going to Chicago
Lots of fun playing here! I even have my own mic! Last time I did it I did the split part as well, but there’s no room for a bass in the pit (or backstage) so it’s all on tuba.Tim Jackson wrote: ↑Tue Mar 29, 2022 10:47 pm I just loved doing that show! Some nice exposed parts allowed a chance to show through a little. I did the split upright bass/tuba book and negotiated a nice doubling fee. Enjoy
2013 J Packer 379 Bbb
1905 York Helicon
1960 Reynolds Contempora Sousaphone
2022 Wessex fiberglass sousaphone
1905 York Helicon
1960 Reynolds Contempora Sousaphone
2022 Wessex fiberglass sousaphone
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Tim Jackson
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Re: Going to Chicago
There was one lick in the bass book I just could not handle. Somehow the conductor knew it was just not in my wheelhouse and choose not to grill me on it. Some kind of 16th note run downward. I do well in jazz situations (pizz) but on shows sometimes an occasional arco passage will put me in my place.
T
T
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ronr
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Re: Going to Chicago
You’re likely talking about a lick in the trial scene. The conductor cut those two measures, to my everlasting gratitude.Tim Jackson wrote: ↑Wed Mar 30, 2022 7:36 pm There was one lick in the bass book I just could not handle. Somehow the conductor knew it was just not in my wheelhouse and choose not to grill me on it. Some kind of 16th note run downward. I do well in jazz situations (pizz) but on shows sometimes an occasional arco passage will put me in my place.
T
2013 J Packer 379 Bbb
1905 York Helicon
1960 Reynolds Contempora Sousaphone
2022 Wessex fiberglass sousaphone
1905 York Helicon
1960 Reynolds Contempora Sousaphone
2022 Wessex fiberglass sousaphone
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kingrob76
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Re: Going to Chicago
Done it twice. Fun show. First time I had to cover the string bass book AND the tuba book, so lots of notes. I hate Roxie. She can kiss my *ss. That song just went on, and on, and on and it really did need to be soft and bass-like or it didn't fit the scene. Second time it was just the tuba book, not as interesting but I was glad to sit and watch Roxie.
Rob. Just Rob.