Tubas, euphoniums, mouthpieces, and anything music-related.
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If somebody wanted effectively a "piston valved Miraphone 186 CC", what tuba would you recommend to them and why?
Basically:
186 / 188 intonation (ie, "stellar". maybe a flat open E, pull on some 1+2 combos, maybe one sharp 2+3, then all the low pitch problems built into the 5 valve system)
A 16.5 inch bell at the smallest to an 18 inch bell at the largest
4 pistons and 1 rotor
Nothing weird or huge or honestly even 'big'
Nothing you have for sale
No weird valve angles
No "it's bigger but..."
No, a Mira 1291/2/3 CC is not a good solution
I have my own ideas and biases on this but I'm wondering what other folks would recommend.
Last edited by cjk on Fri Aug 19, 2022 12:52 pm, edited 1 time in total.
MW 2155 is a perfectly acceptable answer IMHO. It was a 4/4 tuba regardless of what MW called it.
Also IMHO, with the increased average "big-ness" of tubas these days, the difference between a 186 and a 188 to me seems pretty academic. While certainly different from one another, they're practically the same size. I don't think anyone in their right mind would argue that they aren't both well in the realm of "4/4".
If I had entitled this thread "piston valve 188 CC" instead, I would still find all of these answers acceptable.
I’ve played some of those that play remarkably well in tune, and others that don’t.
This runs the gamut from handmade, not handmade, and B&S/Besson-made
The ones with the Nirschl name on them seem to play a little woofie to me to be associated with a 186… maybe the “Besson“ ones, because they generally play sort of stiff - sort of like some of the mediocre 186 Instruments.
when I worked for Brook mays music back around 2001, both the 2155 and the 2000 were well stocked, and I got to play several samples of both
At the time, dealer cost on the 2155 was around 6500 and the 2000 was around 9500. I could never justify that price difference, as I thought they played very similar to each other
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bloke wrote: ↑Fri Aug 19, 2022 1:24 pm
I’ve played some of those that play remarkably well in tune, and others that don’t.
This runs the gamut from handmade, not handmade, and B&S/Besson-made
The ones with the Nirschl name on them seem to play a little woofie to me to be associated with a 186… maybe the “Besson“ ones, because they generally play sort of stiff - sort of like some of the mediocre 186 Instruments.
Wait. What? There are mediocre 186 instruments?
John Morris
This practicing trick actually seems to be working! playing some old German rotary tubas for free
bloke wrote: ↑Fri Aug 19, 2022 1:24 pm
I’ve played some of those that play remarkably well in tune, and others that don’t.
This runs the gamut from handmade, not handmade, and B&S/Besson-made
The ones with the Nirschl name on them seem to play a little woofie to me to be associated with a 186… maybe the “Besson“ ones, because they generally play sort of stiff - sort of like some of the mediocre 186 Instruments.
Wait. What? There are mediocre 186 instruments?
I bought a mediocre one brand new in 1974.
The mediocre ones featured saggy third and fifth partials.
I’m gonna make the hard call here….. are you ready??
Nothing…. None. Nada.
With the exception of a frankenhorn that may live out there somewhere, I don’t think that horn exists. To me, the MW 45/55 models don’t have even close to the tight, centered tone and ‘feel’. That to me is a big word when talking about the 186 horns. They have a VERY distinct feel and response that I’ve only really felt in a couple other rotor horns. There’s a reason those horns have a spot in so many peoples hearts.
KCMO free lance musician and teacher
Band Director NKC Schools
Besson 982
'55 mouthpipe is a paper towel roll tube....TOO LARGE.
When tossed in the trash and replaced with a "normal" mouthpipe - these are amazing, and - yeah - "tighten" up.
Kctuba wrote: ↑Fri Aug 19, 2022 6:50 pm
I’m gonna make the hard call here….. are you ready??
Nothing…. None. Nada.
With the exception of a frankenhorn that may live out there somewhere, I don’t think that horn exists. To me, the MW 45/55 models don’t have even close to the tight, centered tone and ‘feel’. That to me is a big word when talking about the 186 horns. They have a VERY distinct feel and response that I’ve only really felt in a couple other rotor horns. There’s a reason those horns have a spot in so many peoples hearts.
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