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This section is for posts that are directly related to performance, performers, or equipment. Social issues are allowed, as long as they are directly related to those categories. If you see a post that you cannot respond to with respect and courtesy, we ask that you do not respond at all.
This section is for posts that are directly related to performance, performers, or equipment. Social issues are allowed, as long as they are directly related to those categories. If you see a post that you cannot respond to with respect and courtesy, we ask that you do not respond at all.
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I agree, guys. This is the way to go.
Last edited by Dents Be Gone! on Wed May 01, 2024 10:36 am, edited 1 time in total.
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I agree, guys. This is the way to go.
Last edited by Dents Be Gone! on Wed May 01, 2024 10:36 am, edited 1 time in total.
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Re: Speaking of Nashville… (mouthpieces)
An interesting thing about that is the one of their mouthpieces is advertised as inspired by the LOUD LM-10 -- but
with a few subtle differences. One of the biggest changes is the switch to brass from stainless steel that was used by LOUD.
- bloke
- Mid South Music
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Re: Speaking of Nashville… (mouthpieces)
Finding lesser-known makers could become a hobby, but - then - actually buying all that are found could become expensive (sometimes disappointing...??)
For the first time ever (I'm thinking...??) I found the name, "Jerome" associated with a mouthpiece:
https://jeromewiss.com/en/mouthpiece/ba ... signature/
I tried to think of an uncommon name (thus, "Jerome" popped into my head), and typed it into my browser - along with "tuba mouthpiece".
voila!
or (as we say - within a day-trip of Nashville) viola !
For the first time ever (I'm thinking...??) I found the name, "Jerome" associated with a mouthpiece:
https://jeromewiss.com/en/mouthpiece/ba ... signature/
I tried to think of an uncommon name (thus, "Jerome" popped into my head), and typed it into my browser - along with "tuba mouthpiece".
voila!
or (as we say - within a day-trip of Nashville) viola !
- arpthark
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- Posts: 596
- Joined: Thu Apr 06, 2023 5:13 am
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I agree, guys. This is the way to go.
Last edited by Dents Be Gone! on Wed May 01, 2024 10:40 am, edited 1 time in total.
- These users thanked the author Dents Be Gone! for the post:
- bloke (Wed Nov 22, 2023 3:08 pm)
- bloke
- Mid South Music
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Re: Speaking of Nashville… (mouthpieces)
.... .... ....
yep...probably why (subconsciously) "Jerome" popped into my head.
Hey...
y'all call me on the phone, and I'll play "double-high" C with some sort of blokepiece and Fat Bastard.
Do it on Thursday - c. 1:30 P.M. C.S.T...just in case one of the Democrat relatives starts talking 'bout stuff.
yep...probably why (subconsciously) "Jerome" popped into my head.
Hey...
y'all call me on the phone, and I'll play "double-high" C with some sort of blokepiece and Fat Bastard.
Do it on Thursday - c. 1:30 P.M. C.S.T...just in case one of the Democrat relatives starts talking 'bout stuff.
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I agree, guys. This is the way to go.
Last edited by Dents Be Gone! on Wed May 01, 2024 10:41 am, edited 1 time in total.
- arpthark
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Re: Speaking of Nashville… (mouthpieces)
My friend and I are actually doing a deep dive into the wild world of Jerome Callet. His former students post the wildest stuff on the internet. @Dents Be Gone!, if you have any first hand knowledge, send me a PM!
I have sourced a number of out-of-print method books by him and some others in that circle.
I have sourced a number of out-of-print method books by him and some others in that circle.
Blake
Bean Hill Brass
Bean Hill Brass
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I agree, guys. This is the way to go.
Last edited by Dents Be Gone! on Wed May 01, 2024 10:42 am, edited 1 time in total.
- bloke
- Mid South Music
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Re: Speaking of Nashville… (mouthpieces)
No idea about Jerome Callet, but since we're way wide of topic anyway, be it noted that W. Paris Chambers, author of some fine marches particularly including the great "Chicago Tribune March", was a cornet virtuoso who could squeak out some high stuff.
wikipedia wrote:At the turn of the century, Chambers managed the C.G. Conn store in the city of New York, performing impromptu on the cornet for the customers, including fellow cornet virtuosi. His forte was a phenomenally high register ascending to the third high C. He liked to tell his store audience: “It is all really very simple; all you have to do is to develop the muscle in and around the lips, by long hours of the right kind of practice, and anyone can do the same things I do on the cornet.”