can't help but continue to mess with mouthpieces
Posted: Fri Sep 20, 2024 7:08 pm
Even as I'm waiting for the last "modification" on the (LOL) "Sellmansberg II" mouthpiece (a smaller throat...and this is the last thing I'm doing as an improvement pursuit over the other Helleberg II/vintage Helleberg models out there),
...I've stumbled across a deep bowl design (not as deep as those two deep PT ones) that (for me, at least) plays the huge rotary Miraphone B-flat with more ease (so far...) than anything else.
I'd probably describe it (without exaggeration) as a "quantum leap" in my own playing (both slurs AND flexibility on that behemoth...and Mrs. bloke is noticing the RESONANCE more than those two previous things...as she can't tell how LESS hard I'm working, but can only hear it.
The issue is this:
When I try it on more normal tubas (and 4/4 - 5/4 C tubas), it seems (at least, to me) to just perform "OK"...so I have no idea whether I'll actually market it.
Americans do NOT (other than a couple of handfuls of folk) own tubas like mine, a FEW Americans own Cerveny 601 tubas (meaning no offense, a more affordable and more issue-ridden tuba which is in the same size/style classification as mine), not too many Americans own Meinl-Weston 195 rotary "Fafner" tubas, and - though quite a few central Europeans own those, I'm sure (and rightfully so) their reaction would be "so what the hell does some American know about a mouthpiece that's suitable for our Deutsch orchester kaiser tuben?"
(insert shoulder shrug here...no real point to this...just typing...Maybe I'll earn a well-deserved dp "pfft"...??)
...I've stumbled across a deep bowl design (not as deep as those two deep PT ones) that (for me, at least) plays the huge rotary Miraphone B-flat with more ease (so far...) than anything else.
I'd probably describe it (without exaggeration) as a "quantum leap" in my own playing (both slurs AND flexibility on that behemoth...and Mrs. bloke is noticing the RESONANCE more than those two previous things...as she can't tell how LESS hard I'm working, but can only hear it.
The issue is this:
When I try it on more normal tubas (and 4/4 - 5/4 C tubas), it seems (at least, to me) to just perform "OK"...so I have no idea whether I'll actually market it.
Americans do NOT (other than a couple of handfuls of folk) own tubas like mine, a FEW Americans own Cerveny 601 tubas (meaning no offense, a more affordable and more issue-ridden tuba which is in the same size/style classification as mine), not too many Americans own Meinl-Weston 195 rotary "Fafner" tubas, and - though quite a few central Europeans own those, I'm sure (and rightfully so) their reaction would be "so what the hell does some American know about a mouthpiece that's suitable for our Deutsch orchester kaiser tuben?"
(insert shoulder shrug here...no real point to this...just typing...Maybe I'll earn a well-deserved dp "pfft"...??)