I am NOT anti French tuba.
Posted: Sun Apr 20, 2025 1:27 pm
I just prefer to play one that's larger than the original ones (much as most trombones and tubas are today are larger than those designed over a century ago), I prefer that mine be in B-flat - particularly since I sort of walked away from the C tuba thing that I did for 48 years, and - though I'm quite at home with at least one six valve system - I prefer the 3+1 compensating fully chromatic system for my French tuba, rather than learning yet another six valve fully chromatic system.
Additionally - since this instrument is considerably larger than original design French tubas, I also prefer a larger mouthpiece.
Doug Elliott's contrabass trombone mouthpiece is just about perfect, doesn't offer any wonky pitch including up in the multiple ledger lines region, offers a nice fat tuba type of sound, and is the same overall length as most all other trombone mouthpieces.
This isn't just another euphonium. Even with the corks not trimmed at all, the Dennis Wick metal mute nearly bottoms out in this instrument's bell, and this instrument is built so tall that I can set it in my lap and play it, even though I'm long-waisted.
Putting the two jobs together, I'm pretty well paid for Easter and Christmas - probably less than a some of you, but handsomely.
I use this instrument on 85% of the stuff I play on both of those jobs, and "regular" tuba on about 15%.
Here's my French tuba in B flat with the 3+1 Blaikley compensating system on board and a mouthpiece in between tuba and bass trombone size:
https://www.guitarcenter.com/Meinl-West ... 0215916.gc
Additionally - since this instrument is considerably larger than original design French tubas, I also prefer a larger mouthpiece.
Doug Elliott's contrabass trombone mouthpiece is just about perfect, doesn't offer any wonky pitch including up in the multiple ledger lines region, offers a nice fat tuba type of sound, and is the same overall length as most all other trombone mouthpieces.
This isn't just another euphonium. Even with the corks not trimmed at all, the Dennis Wick metal mute nearly bottoms out in this instrument's bell, and this instrument is built so tall that I can set it in my lap and play it, even though I'm long-waisted.
Putting the two jobs together, I'm pretty well paid for Easter and Christmas - probably less than a some of you, but handsomely.
I use this instrument on 85% of the stuff I play on both of those jobs, and "regular" tuba on about 15%.
Here's my French tuba in B flat with the 3+1 Blaikley compensating system on board and a mouthpiece in between tuba and bass trombone size:
https://www.guitarcenter.com/Meinl-West ... 0215916.gc