This is my out-of-town Mozart Requiem weekend (F cimbasso)
Posted: Fri Nov 03, 2023 8:46 am
Being a tuba player, I've "listened" to this work, but never "studied" it.
It's already nearly ten, the reading rehearsal (chorus at first rehearsal...?? probably not) is at 2, so - pretty soon - I gotta git.
Whether the pulse is half, quarter, or eighth (and please forgive me for not using vocab. such as "quaver", etc.) the pulse - in most every part of the Proper - seems to lie somewhere between 60 and 90, with the overwhelming majority of the parts hitting right around the middle - c. 76 bpm.
I feel really fortunate that - whenever there's a "no tuba" concert, I'm allowed to move to 3rd trombone, and the 3rd player (as 2nd - for whatever reason - is not a permanent hire) moves to 2nd. I've been able to play some amazing things that I never expected I would be offered opportunities to play...
...Eventually, I'll have the B-flat cimbasso project completed (as I'm playing such concerts on my F cimbasso, for the time being) which might make some of the stuff well above the staff a bit easier. (The Mozart is an hour, with only a few tacet parts, and "heavy" playing in most parts of the Requiem.)
The regular bass trombonist is excited about playing the "Tuba Mirum".
It's already nearly ten, the reading rehearsal (chorus at first rehearsal...?? probably not) is at 2, so - pretty soon - I gotta git.
Whether the pulse is half, quarter, or eighth (and please forgive me for not using vocab. such as "quaver", etc.) the pulse - in most every part of the Proper - seems to lie somewhere between 60 and 90, with the overwhelming majority of the parts hitting right around the middle - c. 76 bpm.
I feel really fortunate that - whenever there's a "no tuba" concert, I'm allowed to move to 3rd trombone, and the 3rd player (as 2nd - for whatever reason - is not a permanent hire) moves to 2nd. I've been able to play some amazing things that I never expected I would be offered opportunities to play...
...Eventually, I'll have the B-flat cimbasso project completed (as I'm playing such concerts on my F cimbasso, for the time being) which might make some of the stuff well above the staff a bit easier. (The Mozart is an hour, with only a few tacet parts, and "heavy" playing in most parts of the Requiem.)
The regular bass trombonist is excited about playing the "Tuba Mirum".