I thought I would go back out and work on it some more, last night...but the coffee didn’t do the trick, and (no longer being 18 years old) I conked out.
I had a lot of things I had to do today, but this afternoon I found two hours to get the most annoying part of any tuba restoration done – the bottom bow:
(I don’t know about any of the rest of you, but I try to not use wire to install caps or guard wires, unless I absolutely have to…and I used no wire to hold these in place (only my hand) when soldering them on, either. Avoiding using steel wires really speeds up the least-fun part of a tuba refurb....and - truth be told - the guard WIRE is more tedious to install than the guard CAP - due to the heat distribution tricks that must be employed.)
If I do better tonight than I did last night, I may go back out and slick out the bell “chimney“, as that’s a pretty easy part to straighten out (ie. burnish out all the horribleness, and then smooth it into a circular cone).
I MUST get this one out the door...Those Holton BB345's are SCREAMIN' at me...
I've actually also been fitting in a little bit of time do so something ELSE that I haven't been doing much of...PRACTICING.
While jacking my chops back up to where they need to be (with some sort-of-important gig-age - read: really exposed tuba stuff, over the next three weeks), I'm also reminding myself about reading sheet music and mashing the correct buttons for B-flat tuba, becoming comfortable with the long-semitone 5th valve I installed on this PARTICULAR B-flat tuba, and also reminding myself about the "blow" (through an 18-foot-long tapered bugle, which requires more focus and more buzz-accuracy than C, E-flat, or F) of a B-flat tuba. Mrs. bloke has been pretty nice about it (practicing, which doesn't actually generate dollars), because she knows that I need to do this.